What exactly is it that compels the proliferation of Christmas-themed horror movies over the years? Is it the inherently transgressive nature of bloodying a holiday that is meant to represent joy, peace on Earth, and goodwill toward men? It is, after all, all too conceptually easy to set a horror film on Halloween, a day when the evil forces on Earth are expected to roam free. Setting a bloodbath against the pristine, jealously guarded specter of Christmas, on the other hand, has always been angling for a certain level of purposeful offense, because there have always been starched-collar folk who take the defense of the holiday’s image very seriously. Perhaps tearing down that institution (or at least gently ribbing it) is simply too tempting to resist… read more >
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